What’s the best way to invest in your photography? You may buy a new camera, some lenses or a crazy new tripod, that’s for sure. But will this make you any better as a photographer? You have to be strong now, because the answer is… wait for it… NO! New gear is great, and we all have a gear acquisition syndrom to a some degree, but the only thing that will really make you take better pictures is Education!
In this post, I am sharing mini reviews of 16 asweome photography eBooks with you. These are all premium products, and you will not get them for free, but you can get them for an incredible price in the next few hours.
If you’re not living under a rock, you’ve probably already heard about the incredible deal that the team at 5DayDeal offers until October 20th (today!): A $2,000+ bundle of photography resources for only $89 (95% off). In this post, I will give you an update as we are on the finishing straight. There are less than 12 hours to go before this bundle deal will be gone forever. If you have not snatched your copy by now than… well… it’s time to act.
Lighting a scene in-studio or on location can be an intimidating task, even for an experienced photographer, and even more so for a beginner. Most professional shoots that you see and read about are incredibly complex using multiple lights, a whole set of modifiers and some expensive props. How in the world are you ever going to pull off something like this?
If that’s what you feel like, than this video course by Zack Arias is perfect for you. Zack shows you how to light a scene with one light and one modifier. That’s all it takes to – as Zack himself puts it – take pictures that don’t suck.
Frequency separation retouching is an amazing technique for separating two main tasks of retouching in general: editing the fine details in your image and editing the tones, shadows and colors. In many cases, it can be hard to get both right at the same time if you are using conventional retouching techniques. If you are using the frequency separation technique in Photoshop, however, you can divide your image into two layers: one that only holds the fine details and one that only contains the tones and colors. Those can then be edited separately and independently of each other.
In this featured video, Aaron Nace from Phlearn.com shows you how to use frequency separation on a portrait in Photoshop.
In this excerpt of a CreativeLive class, Jack Davis shows you that the lighting that you captured in your images is not carved in stone. He shows you an interesting HDR workflow where he blends three exposures from an interior scene. Instead of simply merging them and letting the tone mapping decide what the final look will be, he takes control by blending them manually. By doing so, you can create light where you want it and give a scene a whole new mood.
The way you hold your camera while you’re shooting has profound effects on the quality of your photos. Remember: If you are shooting hand-held, you are the tripod! It’s surprising to see how many people are actually having trouble with that.
Now, as with most things in life, it’s hard to give you a definite right and wrong here. After all the exact way you hold your own camera is still depending on you and your body. But there are some best practices, and in this article, I will share how some professionals go about holding their camera when they are shooting hand-held.
Starbursts can be a nice feature in your photos – especially in landscapes and night shots. But somehow, they seem to show up only infrequently and randomly, right? So how to you create an image that purposefully has a starburst in it to improve your composition and give your photo some additional interestingness?
In this featured video, John Greengo explains what you could almost call the science of starbursts. Now, personally, I had a few rules of thumb on how to actually make them appear in my photos, but John has a whole lot more to tell you. Check this out if you want to make better use of these little dots of light in your photos.
If you are into landscape photography, the subjects and the creative possibilities are endless. How do you shoot the different scenes in order to end up with the image you have in your head? What are the shooting techniques and the tools? And last but not means least, how do you process your images to give them their final look?
Wouldn’t it be awesome if you could just go out with a world-class landscape photographer and watch every step? Wouldn’t it be great to watch over her shoulder when she post-processes those images on the computer to pick up all those little tricks?
This eBook and video series by Nicole S. Young gives you exactly that: A deep insight into how it’s done and what the right tools and techniques are to make your landscape photos really stand out.
Lighting a scene correctly and creatively so that you get the look you want from your shoot is the most important but at the same time the most difficult thing to do when you do studio work. The light that you throw onto a scene and the way you modify that light really makes or breaks your photos.
In this video tutorial, Joel Grimes takes the mystery out of this process. He takes you through all the different options that you have today for lighting a scene and for modifying the light source you have. He explains these options and when to use which. Then he demonstrates how to use the different types of lighting and light modifiers in an actual shoot
One of the most basic things you need to get straight when taking a photograph is to make sure it’s sharp – tack sharp! If you like a softer look in your images, you can always add that later in your post-production. But making a blurry image sharp is far more difficult and in many cases even imporssible.
In the 3rd edition of his book Tack Sharp: A Step By Step Guide To Nailing Focus James Brandon teaches you all the different ingredients to creating the sharpest possible images. And there are many ingredients to this. It’s not just about using a tripod.
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