There are a thousand ways to create a layer mask in Photoshop. Many of them will yield a gray-scale mask with many shades of gray, and it can be a bit difficult to get the contrast of such a mask just right so that you have solid black where you want to hide the layer and solid white where you want to reveal it.
In this excerpt from my Mask It Like a Pro! video course, I will show a neat little trick that allows you to get the perfect mask in such cases. I am using the Brush tool with Black and White as the color. The trick here is to set the mode of the brush to Overlay.
Non-destructive editing techniques are vitally important in Photoshop to ensure maximum flexibility and efficiency. If you edit your images destructively (altering the actual pixels), you cannot go back, and you cannot change your edits individually in case they do not play out the way you planned them. Consequently, there are a lot of tools in Photoshop that allow you to edit your images none-destructively.
But what about the layer masks you create? Do they allow non-destructive editing too?
Sometimes, creating these masks for certain areas takes longer than the actual adjustments. Unfortunately, Photoshop does not provide any dedicated means for editing these masks non-destructively too. In the video below, however, I will show you a simple technique for combining two or more masks while retaining each of them so that you can edit them later if you need to.
Lightroom can be a tremendously powerful tool for managing large volumes of images effectively and efficiently. Actually, that’s one of the things that separates it from Photoshop. But to really benefit from this management power, you need to learn some things first, and ideally, you should learn them before you delve into working with Lightroom.
In this video by Tim Grey, you will learn 15 important tips that will make your life a lot easier today and in the years coming.
This video by Joel Grimes ties in nicely with one of my prior posts about How to Become an Outstanding Photographer. Joel talks about what makes a great photograph, and his main point is that photographers get sucked into the technical side too much. Creating a great photograph is a creative process, above anything else. Of course, the technical side is important, but all the photography gear, all the shooting techniques and all the post-processing tricks are just tools. It’s your creative vision that counts. Therefore, you should ask the ‘What’ questions before you ask the ‘How’ questions.
Solitude Palace is a beautiful place just outside of Stuttgart, Germany that has become one of the recreational attractions. It’s a great vantage point to view across the Württemberg lowlands. The palace has been built in the 18th century as a hunting lodge and summer residence. This is actually one shot from an entire bracketing series shot for an HDR image, but I decided to use only one of the frames to demonstrate the power of the Easy Preset System.
Wow, that is a bold title for a blog post, isn’t it? And I bet you’re expecting a fool-proof list of actions that will make you outstanding – maybe a list of gear or a set of techniques that will take you there. But what I will tell you in this post is of a different nature. It is not about gear or techniques – it is about you and your attitude towards photography or any other creative passion you may pursue.
What’s the best way to invest in your photography? You may buy a new camera, some lenses or a crazy new tripod, that’s for sure. But will this make you any better as a photographer? You have to be strong now, because the answer is… wait for it… NO! New gear is great, and we all have a gear acquisition syndrom to a some degree, but the only thing that will really make you take better pictures is Education!
In this post, I am sharing mini reviews of 16 asweome photography eBooks with you. These are all premium products, and you will not get them for free, but you can get them for an incredible price in the next few hours.
If you’re not living under a rock, you’ve probably already heard about the incredible deal that the team at 5DayDeal offers until October 20th (today!): A $2,000+ bundle of photography resources for only $89 (95% off). In this post, I will give you an update as we are on the finishing straight. There are less than 12 hours to go before this bundle deal will be gone forever. If you have not snatched your copy by now than… well… it’s time to act.
Lighting a scene in-studio or on location can be an intimidating task, even for an experienced photographer, and even more so for a beginner. Most professional shoots that you see and read about are incredibly complex using multiple lights, a whole set of modifiers and some expensive props. How in the world are you ever going to pull off something like this?
If that’s what you feel like, than this video course by Zack Arias is perfect for you. Zack shows you how to light a scene with one light and one modifier. That’s all it takes to – as Zack himself puts it – take pictures that don’t suck.
Frequency separation retouching is an amazing technique for separating two main tasks of retouching in general: editing the fine details in your image and editing the tones, shadows and colors. In many cases, it can be hard to get both right at the same time if you are using conventional retouching techniques. If you are using the frequency separation technique in Photoshop, however, you can divide your image into two layers: one that only holds the fine details and one that only contains the tones and colors. Those can then be edited separately and independently of each other.
In this featured video, Aaron Nace from Phlearn.com shows you how to use frequency separation on a portrait in Photoshop.
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