
List of Tips
…there’s more to come!
On this page, you will find a list of Quick Tips about mastering the D7000 camera from Nikon. This semi-pro camera has some advanced features that you could only find in more advanced pro cameras before. Roughly every week, I will provide a new tip on one of these features. I will not go into extensively detailed descriptions of each individual tip. Instead, I will provide a direct link to the specific page of the English user’s manual where the respective feature is described. Just click on the link provided in one of the ‘More infos’ boxes and you will be taken directly to that page. It could not be any easier, folks!
Are you on Google+? Do you want to receive timely notifications whenever a new tip comes out? Then join the Nikon D7000 Users Group. There are almost 400 D7000 photographers in the group. Don’t miss out and be one of them! For the details on how to join, go to this Google+ post.
Did you know that your D7000 lets you fine-tune the focus system to individual lenses? This is a feature that is normally only seen in cameras at the pro level.
Why would you want to fine-tune the focus, and what the heck does that mean?
Study page 246 in the D7000 user’s manual.
Good question! No lens is perfect. In many cases, a lens projects the in-focus plane of the image slightly in front of behind the sensor plane even when you have focused. This is what people call front or back focus. The result is that the element that is supposed to be in focus in your image is slightly blurred. With many cameras, there is nothing you can do about this. With the D7000 (and other semi-pro and professional cameras), you can cure this by using the AF Fine Tunefeature. So, if you feel that your images are not as sharp as they should be, you should check if there is front or back focus problem, and then you should fine-tune the focus accordingly. But you should use this feature with care! Otherwise, you may make things worse.
Did you know that your D7000 has a stealth mode? Yes, that’s right! Your D7000 turns you into a 007 – at least in terms of photography.
Study page 77 in the D7000 user’s manual.
If you turn the mode dial to “Q” (note the similarity to Bond’s “Q”), your camera will produce notably less noise (in terms of sound, that is). This comes in handy if, for example, you are shooting in a church for a wedding. In “Q” mode, the D7000 stretches all the things over a slightly longer period of time that happen when you press the shutter release button. Additionally, the mirror does not come down again until you take your finger off the button again. The price you pay is, of course, a slightly longer shutter lag. Obviously, it can also not be combined with continuous shooting mode.
Study pages 75/76 in the D7000 user’s manual.
Are you shooting HDR images with your D7000, and have you been cursing about Nikon for not having extended the range of the auto exposure bracketing (AEB) function (limited to 3 shots with +-2EV)?
There is a simple workaround for this that I call semi-autobracketing. It works great when you are shooting hand-held and you rely on auto exposure bracketing. Simply use the user settings to extend the dynamic range:
This way, you can take 6 different exposures of the same scene and extend your dynamic range greatly.
Did you know that you can easily lock your autofocus and your autoexposure to help your camera in difficult shooting situations?
With the AE-L/AF-L button to the right of the view finder, you can override the automatic focus and exposure system of your camera very easily. This comes in handy for instance if you shoot in difficult light. In situations with low contrast or very low light, the autofocus sometimes has difficulties in finding the focus. Here is what you can do then:
Your camera will use the exact same setting it chose before you pressed the AE-L/AF-L button. As another example: If you are shooting a panorama or vertorama hand-held, you want each section of the panorama to have the same focus and the same exposure. In this case, you can do the following:
This will give you consistent focus and exposure throughout your panorama and make the stitching and post-processing much easier.
Join the Google+ Nikon D7000 Users Group for timely updates. For the details on how to join, go to this Google+ post.




Hi! I am Klaus Herrmann. I take photos - I create, write and teach.
Learn advanced photography and image processing techniques with my tutorials and resources like Before-and-After comparisons, Making-of videos and Pics-to-play-with features.
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...that our Before-and-After Comparisons give you a quick insight into the evolution of an image? They present the stages of the post-processing work from the source photos to the finished image in three simple steps.
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About Klaus Herrmann
As a photographer who shoots many different types of subject, I can attest to how important this is! The first time I used my d7000 for a sports event with my 70-200 zoom I discovered that it was back focusing. With fast motion coming straight at me while shooting wide open at 2.8 the result were a disaster. (by my standards)Now I test every camera and lens combo prior to using them on an assignment.
Dominic Urbano
Fallen Leaf Imgaging
http://www.fallenleafimaging.com
Hi Dominic,
yes, especially with a shallow DoF, fine-tuning may become critical. At f/2.8 and below, even a slight front or back focus can ruin your shot (e.g. ears in focus instead of the eyes in a portrait).
Great advice! I didn’t know about the autofocus fine-tuning possibilities. I’ll have to check it out soon. Here are my favourite features:
http://shutterexperiments.com/2011/04/03/nikon-d7000-features-overview-2/
Thanks, Grzegorz!
I just bought a D7000 a couple weeks ago, upgraded from a D80 and what a world of a difference.
My question is about the Tip #3: Semi-autobracketing e.g.
I understand how to set U1 & U2 preference up but I’m not understanding (+2EV and -4EV) I know my bracket set has 3 options +2F, -2F, 3F.. Im used to shooting in 3F always for my brackets. Explain to me in more detail about how you are using U1 and U2 to get 6 shots?? if you shoot U1 +2F that is two shots, and U2 -2F that is two shots equaling out to 4 different exposures only??
Thanks
Chad
Hi Chad,
for each of the user settings, I shoot a full 3-shot AEB series. Each of the two series has a different center EV. E.g. I set the exposure compensation for U1 to +2EV and shoot an AEB series with 1EV steps (+3, +2, +1). The exposure compensation for U2 is set to -1EV, resulting in (0, -1, -2). That’s 6 shots covering +3EV to -2EV.
I hope this example explains it a bit better.
Cheers
Klaus
Ok I think Im getting there, for U1 & U2 brackets are set at 3F 2.0
U1 hit exposure compensation button to +2
U2 hit exposure compensation button to -1
I think that is what you are telling me. My old D80 just set bracketing to 3F 2.0, setting exposure compensation is new to me for bracketing.
Chad
Thank you for sharing Klaus (Tips3 be going to serve me a lot) Your work is a continual source of inspiration for me as I learn my way through photography. Greeting from France !
Hi,
I also have the D7000 and the Nikkor 10-24mm lens.
Did you do any fine tuning of the focusing for this pair ? If so, could you share the parameters you went with
Thanks
Hi Simon,
I actually did not use the fine-tuning feature for the 10-24 lens. But I would also not recommend using anybody elses values. The right parameters heavily depend on the specific copy you have. There are tutorials on the web about how to tell if you have front or back focus and on how to adjust the camera.
Cheers
I own a Nikon 7000. Recently I engaged in flying bird photos with the Nikon 70-200 2,8 lens in AF-C. I got some pics in which the focus points were red watching them in Aperture despite these focus points were over areas completely blurred. Any ideas why?
i would have expected no red (in focus) focus points if the subject was blurred.
Thanks
Rodrigo
Hi Rodrigo,
that’s tough to say. Flying birds are a real challenge, even if you are using AF-C. It’s probably not the fault of your camera. Things change so rapidly that your camera may not be able to follow in time. That is a subject that usually requires a lot of attempts before you get a sharp photo. So, my advice is: Be patient and take a lot of shots.
I hope that helps!
Cheers
Klaus
I Just came across your site, Interesting information that I have not thought of. I have a response to Rodrigo Gazmuri about shooting flying birds and he may have already discovered this as well you need to change the AF area Mode to “3D – Tracking”. Once you set the focus point on the subject it will automatically update the focal point as the birds or any moving subject moves through the picture. Hope this helps
Hi Jim,
thanks for the good tip. I did not try that yet as I don’t do a lot of action and sports photography. But I will try it on my little daughter when she starts running around the house.
Cheers
Klaus
Klaus,
Let me know how it goes I am still learning the d7000 myself, Recently upgraded from the d50, I just been reading about this setting in the manual when I saw your post here. I have to shoot a parade this coming weekend so I’ll definitely be working on the 3d tracking.
Hi Jim,
I will try to keep you posted. But my daughter has a few more months before she starts walking (let alone running). So, I will have some time to practice using the 3D-Tracking feature.
Regards,
Klaus
Thanks for the tip. I waas shooting birds with a pro and he told me not to use the 3D Tracking since it is best to use the 9 or 21 points.
I will hace to try again. What bothers me is why in Aperture (post processing software) the areas appear in focus when really they are not.
Cheers !
i want to learn photography.
Another thing you can use for moving targets is change the AF area mode to Subject Tracking AF = Appears as a circle with a set of cross hairs – place the focus point on the subject and press OK
hi. i just brought my new Nikon d7000 2 weeks ago with the 500mm 1.8d. im confuse to AE/AF LOCK..i read the manual and do some research aslo..but still im a bit confuse.i understand that if i set my ae/af button to focus and exposure lock,then my subject is person so naturally i will focus on the eyes if i pressed the ae/af botton my focus and exposure will lock right..if i recompose the the shot and move my camera does this affect my focus point??bec i notice and tried that if i do that the eyes which is in focus is not sharp..
TUTORIAL AF FINE TUNING
Jeffrey Friedl’s Blog
Jeffrey’s Autofocus Test Chart/AF FINE TUNING
GOODLUCK………
I bought my D7K about 2 months ago switching from sony. I notice that my focus with a 35mm lens was really bad, impossible to adjust with the fine focus. I use the warranty and they fixed it, now with my 35mm i tuned it to -12 with perfect focus, BUT when I use a zoom 55-200 or 18-105 and the 2s timer just before it takes the picture I notice that the image moves up in the viewfinder resulting in a tiny blurry effect in the picture, that does´t happen when I shoot in normal or with the 35mm lens. Can you take a look, is a common issue or just me.
Hi Jose,
what you are experiencing may be related to the VR (Vibration Reduction) system. The system will cause the “shifting up” effect, and if mounted to a tripod, it may actually cause blur. In the newer versions, they should have fixed that, but maybe it happens in your case. So, I would guess that this is the problem rather than any focus issue.
Try turning off VR when you shoot from a tripod.
I hope this helps you resolve the problem.
Cheers
Klaus