In this Hands-on Photo Tip, I will show you a really cool alternative way to create an HDR image.
We’re going to use a feature in Photoshop CS6 that allows you to merge your source photos and bring the resulting 32-bit HDR image into Adobe Camera Raw (or Lightroom) to tone map it.
And here’s why is this so cool:
- You’re getting a much more natural and clean result without the halos and the excessive noise that you normally get when you use standard tone mapping operators.
You can still apply a typical HDR look in Photoshop later on using filters like Topaz Adjust or Nik Color Efex. These give you greater control over your image.
- In Adobe Camera Raw, you have more direct and intuitive control over the highlights, the shadows and the overall exposure of your tone mapped image.
- And finally the coolest thing of all is that you can change any of these settings – including the tone mapping parameters – at any time during your workflow. You’re not going to be stuck with a particular tone mapped image. This is going to make your workflow so much more flexible and efficient.
The Video Tutorial
Overview of the workflow
So, here’s what we’re going to do:
- As a first step, we’re going to bring our RAW photos into Photoshop to merge them into an HDR image. You can also do this with JPEGs, but I recommend that you’re using RAW images.
- The second step is that we will save the resulting HDR image as a 32-bit TIFF file. This TIFF file is a real HDR image. So, it contains all the tonal information of our source photos.
- The third step is to open this 32-bit TIFF file in Adobe Camera Raw and tone map it there. The software will recognize that it’s a 32-bit file and give us access to the entire tonal range. You can also use Lightroom for this step if that’s more convenient for you.
- The fourth and final step is to open the tone mapped image as a Smart Object in Photoshop and apply any adjustments to it to finish it off. This gives us the full power of Photoshop’s layer masking, adjustments and filters to work on the image. Smart objects are the key that enables us to go back and change the tone mapping settings whenever we need to.
Check out the video to see how this works in detail.
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HDR Cookbook – Improve Today!
- ► Introduction
- ► Requirements
- ► Contents
- ► The Secrets of Hand-held HDR Shooting
- ► Manual HDR Bracketing Explained (NEW)
- ► Semi-Autobracketing for HDR (NEW)
- ► General HDR Workflow
- ► Why you need an artistic workflow
- ► 21 HDR Photography Myths Busted
- ► Creating 32-bit HDRs the Right Way
- ► Correcting Chromatic Aberration
- ► Structuring a Project
- ► Complex Selections
- ► Using Topaz Adjust to Improve Your Images
- ► Reducing Halos
- ► Fixing Uneven Luminance
- ► Noise Reduction
- ► The Three Rules of Noise Reduction
- ► Sharpening
- ► Creating Clarity in Your Images
- ► Adding a Vignette Effect
- ► Adding a Frame
- ► Restoring Exif Data
- ► HDR Panoramas
- ► Taking Interior HDR Vertorama Shots
- ► Taking HDR Vertorama Shots with a Tripod
- ► 14 Tips for Quick and Effective Travel Photography
- ► Creative Watermarking