Have you ever dreamed of shooting with a megapixel monster camera and get images upwards of 50 Megapixel? Of course, these cameras are really expensive which means that they're out of reach for most of us, right? While that's true, there is a technique that allows you to create ultra-high resolution images even with an ordinary, entry-level camera. It's called Superresolution, and it's mostly done in post-production. In this featured video tutorial, Ian Normal shows you how to do this. With his 24 Mpx camera, he creates a series of 20 photos of the same scene and merges them together in Photoshop such that the combined image actually has 94 Mpx of resolution.
The best way to get really sharp photos at slow shutter speeds it to use a tripod. Your second-best bet is to use a monopod. But what if you simply cannot use any such tool? Are you walking away without getting any shot? You shouldn't, because there are techniques for stabilizing your camera even if you have to hand-hold it. We all know this situation: You're in this beautiful place, and you think you're just about to snap the best images ever. But while you're setting up your tripod a guy walk up to you explaining (more or less politely) that tripods are not allowed. Luckily, you also have your monopod with you. But you're told that that's not an option either. That's a major bummer.
Wanna see a lot of glass being shattered... expensive glass? Yeah, me too! But for all you gear preservation activists on the other hand, this is not for you. You are going to feel extensive pain throughout the video and maybe irreparable brain damage. You probably know the old debate as to whether or not to use a UV filter to protect your lens. This is one of those topics that have a lot of myths revolving around them, and coming from scientific background, I like it when people actually put such concepts to a real-world (kinda-scientific) test. That's exactly what Steve Perry does in this featured video.
We're seeing more and more videos from people who switched from a DSLR to a Mirrorless camera. That's all fine, interesting and sometimes emotional, but is it really objective and helpful? In this featured video by Matt Granger, he gives you an objective overview of the trade-offs you're facing when you make the switch. Matt's Point is this: For every benefit a mirrorless camera gives you, you will also lose something. Check out the video and the list below that summarizes those trade-offs.
The way you hold your camera while you're shooting has profound effects on the quality of your photos. Remember: If you are shooting hand-held, you are the tripod! It's surprising to see how many people are actually having trouble with that. Now, as with most things in life, it's hard to give you a definite right and wrong here. After all the exact way you hold your own camera is still depending on you and your body. But there are some best practices, and in this article, I will share how some professionals go about holding their camera when they are shooting hand-held.
If you are into landscape photography, the subjects and the creative possibilities are endless. How do you shoot the different scenes in order to end up with the image you have in your head? What are the shooting techniques and the tools? And last but not means least, how do you process your images to give them their final look? Wouldn't it be awesome if you could just go out with a world-class landscape photographer and watch every step? Wouldn't it be great to watch over her shoulder when she post-processes those images on the computer to pick up all those little tricks? This eBook and video series by Nicole S. Young gives you exactly that: A deep insight into how it's done and what the right tools and techniques are to make your landscape photos really stand out.