In this video, you see the entire post-processing work from merging the source photos into HDR images, via the panorama stitching, all the way to the editing stage where I change quite a bit of the lighting in the original scene around to shape the image according to what I had in mind. All of this is shown as time-lapse, 5 x faster than real time.
Trey Ratcliff is arguably the most prolific and famous HDR photographer out there. He has influenced hundred thousands of photographers that strive to create photos like his. But if you ever wanted to participate in a live workshop from the man himself, you have to have really deep pockets. Such an adventure can easily cost you $5,000 or more (not including your trip to New Zealand). And it's probably worth every penny. But if you cannot spend this type of money, this workshop on video is for you. You will be there in the action with the other participants, as this was in large parts recorded during one of Trey's New Zealend workshops. But make no mistake about it, this is not a cheap smartphone recording with crappy sound. Not at all! Everything about this video is high-quality, and you're going to learn a ton of tips, tricks and techniques from the man himself.
You may have stumbled across the Blend-If controls in the Layer Style dialog box in Photoshop. But chances are that you did not even notice them, let alone recognized that they are actually a very powerful tool. Blend-If is one of those tools that is not self-explanatory and that does not make you want to use it straight away. The reason is that, by itself, it does not do a lot other than letting you select a range of tones where the layer and the layer below are going to be blended together. Sounds cryptic? Watch the two videos in this post to gain some insights into this tool.
The Orton effect is visual effect that you can apply to your images to give them a nice glowing appearance. When Michael Orton invented this look, he would take two film slides - one in focus, the other one out of focus - and blend them. Today, applying this effect in Photoshop is quick and easy. In the video below, Jimmy McIntyre demonstrates how to do it by creating a duplicate of your images layer, setting the right blend mode and applying some Gaussian blur.
In this video tutorial, Nathaniel Dodson from Tutvid.com shows you how to select fuzzy hair in Photoshop. This is one of the most hairy (excuse the pun) tasks for a retoucher, and it comes in different variations. Maybe you're not selecting hair but fur, trees or clouds. All of these objects can be very hard to select. Check out how Nathaniel uses the Quick Selection tool and the Refine Edge tool.
Non-destructive editing techniques are vitally important in Photoshop to ensure maximum flexibility and efficiency. If you edit your images destructively (altering the actual pixels), you cannot go back, and you cannot change your edits individually in case they do not play out the way you planned them. Consequently, there are a lot of tools in Photoshop that allow you to edit your images none-destructively. But what about the layer masks you create? Do they allow non-destructive editing too? Sometimes, creating these masks for certain areas takes longer than the actual adjustments. Unfortunately, Photoshop does not provide any dedicated means for editing these masks non-destructively too. In the video below, however, I will show you a simple technique for combining two or more masks while retaining each of them so that you can edit them later if you need to.
Lighting a scene in-studio or on location can be an intimidating task, even for an experienced photographer, and even more so for a beginner. Most professional shoots that you see and read about are incredibly complex using multiple lights, a whole set of modifiers and some expensive props. How in the world are you ever going to pull off something like this? If that's what you feel like, than this video course by Zack Arias is perfect for you. Zack shows you how to light a scene with one light and one modifier. That's all it takes to - as Zack himself puts it - take pictures that don't suck.
Lighting a scene correctly and creatively so that you get the look you want from your shoot is the most important but at the same time the most difficult thing to do when you do studio work. The light that you throw onto a scene and the way you modify that light really makes or breaks your photos. In this video tutorial, Joel Grimes takes the mystery out of this process. He takes you through all the different options that you have today for lighting a scene and for modifying the light source you have. He explains these options and when to use which. Then he demonstrates how to use the different types of lighting and light modifiers in an actual shoot
Glyn Dewis is a photographer, retoucher and trainer from the UK who is well-known to go beyond just taking a photo and doing to usual retouching on it. Follow his tutorials to learn how to do more than that with your photos. In the video below, he shows you how to take a day-time photo and turn it into a night-time image - something that you probably never even thought about doing. But with some amazingly simple tricks, you can take a mundane photo and turn it into something really interesting.
In this featured video, Photoshop Principal Product Manager Bryan O'Neil Hughes shows you how to apply focus stacking to a series of images that was shot at a very shallow depth of field. The resulting image has a much larger depth of field than any of the source photos. Focus stacking is probably one of the unknown gems in Photoshop. At first glance, it really seems like this is a highly specific tool that you probably never need, right? Well, not so fast. What this tool allows you is to take a series of photos with a shallow depth of field and varying focus (different elements are in focus in each of the images) and combine them seamlessly into a single image where everything is in focus.
On July 1st, we will be launching our brand new PCS Video platform. PCS Video is a combination of software and video that is tightly integrated with resources like sample images, actions and presets that you need to learn a specifc photographic topic. Make sure your ready on July 1st to grab your free sample course.
Black & white photography is about much more than just taking the colors out of your images. In this post, I am reviewing Serge Ramelli's "The Art of Black & White with Lightroom" video tutorial. In his tutorial, Serge shows a number of different black & white techniques using different photos. He shows you how to use the different tools available in Lightroom and Nik Silver Efex Pro to turn different color photos into great black & white images. If you want to learn black & white photography with all its facets, you have to check out this tutorial.
Compositing is a photographic technique by which several image elements that are shot separately are combined into a single image. In this post, I will review a video tutorial by one of the most well-known professional photographers who practices this technique. Check out what the pros and cons of the tutorial are before you invest your money.
Real estate photographers are confronted with many situations where they need to capture the interior of a room and the view out of the windows in a single image. This is where HDR techniques can really help you capture such a scene and present this entire tonal range in your final image. However, real estate photos have to be as natural as possible. Therefore, tone mapping approaches are dismissed by most real estate photographers because getting a natural look with them is difficult. Photomatix Pro 5 now has a really effective and simple new method called Fusion/Real-Estate that lets you take full control over the tonal range of your images while keeping them as natural as possible. This video shows you how easy it is to apply this new method.
This is the Making-of video for 'Into the Open (HDR)'. Watch how this image evolves through all the post-processing stages and stop at any position to inspect the parameter settings. This video shows the entire post-processing work starting with the pre-processing of the source photos all the way through to the finishing touches. Each major step is indicated by a subtitle. Watch it in full HD mode (1080p) full-screen and pause at any point to inspect the parameters I choose for the different tools involved in the post-processing.
This is the Making-of video for 'The Parliament (HDR)'. Watch how this image evolves through all the post-processing stages and stop at any position to inspect the parameter settings (see remarks below). This video shows the entire post-processing work starting with the HDR merging and the tone-mapping all the way through to the finishing touches. Each major step is indicated by a subtitle. Watch it in full HD mode (1080p) full-screen and pause at any point to inspect the parameters I choose for the different tools involved in the post-processing.
Do your photos look flat? Do you want to add some more interesting lighting effects to them in post-processing? You should really try to get the lighting right in camera while you're shooting. But sometimes, the light just isn't right when you are shooting, or maybe you want to achieve some different look when you post-process the image. In those cases, you can fix the image to a certain degree. In this video, I am going to show you a simple trick for creating a spotlight effect in Photoshop to improve the overall lighting.
Are you getting halos in your HDR images? Sometimes, you find the perfect setting in your HDR software, but right at that setting, halos start showing up and ruin your image. These ugly bright fringes around high-contrast edges are a well-known and common problem in HDR photography. In this video, I will first go over some tips to avoid halos in the first place. Then I will show you how to get rid of them in Photoshop by darkening those halo regions selectively.